
Largely recorded the same time as
Link Wray's self-titled 1971 comeback album,
Beans and Fatback was more playful and harder-rocking set than the country- and blues-flavored album that announced
Wray's return to active duty. The loopy title cut started the album on a jew's-harp-infused jug band note, and "I'm So Glad, I'm So Proud" was exactly the sort of showcase for
Wray's trademark rumbling guitar that the previous album lacked. Elsewhere, songs such as "Hobo Man" and "Georgia Pines" (the latter a rewrite of
Leadbelly's In the Pines") followed the roots-oriented pattern of
Link Wray, but with a stronger backbone and a lot more wallop; if both albums sound like they came from a studio housed in a chicken shack on a rundown Maryland farm,
Beans and Fatback seems to have been born during a Saturday night rave-up, and goes a lot father toward fusing the rowdy howl of
Wray's early instrumental hits with the back-to-the-land flavor of his more personal 1971 set. If
Beans and Fatback suffers in comparison to
Link Wray, it's in the lack of the deeper and more emotionally resonant undercurrents that carried the 1971 album; as good as these songs are, they don't have the same impact as, say, "Fire and Brimstone" or "Take Me Home Jesus." But as a pure listening experience,
Beans and Fatback is plenty satisfying, and offers more rock & roll bang for the buck than
Wray's other work from this period. Virgin's original LP release of
Beans and Fatback also included a free piece of dried fatback as a "bonus" -- yummy! This album also appears in full on the collection
Wray's Three Track Shack. AMG.
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2 comentários:
Great underrated guitar master!!
Hello Carlos,
Un grand merci pour ce bel album qui signe le retour en grâce d'un immense guitariste.
Jimmy
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