
After several years off records, pianist
Cecil Taylor finally had an opportunity to document his music of the mid-'60s on two Blue Note albums (the other one was
Conquistador). Taylor's high-energy atonalism fit in well with the free jazz of the period but he was actually leading the way rather than being part of a movement. In fact, this septet outing with trumpeter
Eddie Gale, altoist
Jimmy Lyons,
Ken McIntyre (alternating between alto, oboe and bass clarinet), both
Henry Grimes and
Alan Silva on basses, and drummer
Andrew Cyrille is quite stunning and very intense. In fact, it could be safely argued that no jazz music of the era approached the ferocity and intensity of
Cecil Taylor's. AMG.
listen here
2 comentários:
Man, had this on cassette 20 years ago....can't wait to hear it again! Thanks Carlos!!!!!!!
The power of this music is limitless. Its energy is disturbing. In Free jazz, Taylor occupies a very special place. Coltrane or Coleman's musics seem easy to understand compared with Taylor's music.
WOW! What an experience! Thanks for it Carlos.
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