Mostrar mensagens com a etiqueta Rod Stewart. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta Rod Stewart. Mostrar todas as mensagens

segunda-feira, 2 de agosto de 2021

Rod Stewart - Sing It Again Rod 1972

In some ways, 1973 was a little early for Rod Stewart to release a greatest-hits album, since he had only released four albums to that point. Nevertheless, Sing It Again Rod is a good collection, featuring most of the obvious choices from his first four records -- "Handbags and Gladrags," "Street Fighting Man," "Gasoline Alley," "You Wear It Well" and a full side of Every Picture Tells a Story ("Maggie May," "Mandolin Wind," "Reason to Believe," "(I Know) I'm Losing You") -- plus nice surprises like "Lost Paraguayos" and his version of "Pinball Wizard," which had yet to appear on a Stewart record. It's an entertaining album, but it's a little useless for anyone except the most casual fans, those who just want hits. Anyone else would be better served by the original albums, all of which are superb. AMG.

listen here or here or here

domingo, 10 de janeiro de 2021

Rod Stewart - An Old Raincoat Won't Ever Let You Down 1969

On his debut album (titled An Old Raincoat Won't Ever Let You Down in Britain, and The Rod Stewart Album in America, presumably because its original title was "too English" or cryptic for U.S. audiences), Rod Stewart essays a startlingly original blend of folk, blues, and rock & roll. The opening cover of the Stones' "Street Fighting Man" encapsulates his approach. Turning the driving acoustic guitars of the original inside out, the song works a laid-back, acoustic groove, bringing a whole new meaning to it before escalating into a full-on rock & roll attack -- without any distorted guitars, just bashing acoustics and thundering drums. Through this approach, Stewart establishes that rock can sound as rich and timeless as folk, and that folk can be as vigorous as rock. And he does this not only as an interpreter, breathing new life into Ewan MacColl's "Dirty Old Town" and defining Mike d'Abo's "Handbags & Gladrags," but also as a songwriter, writing songs as remarkable as "Blind Prayer," "An Old Raincoat Won't Ever Let You Down," and "Cindy's Lament." The music and the songs are so vivid and rich with detail that they reflect a whole way of life, and while Stewart would later flesh out this blueprint, it remains a stunningly original vision. AMG.
 

listen here

segunda-feira, 4 de novembro de 2013

Rod Stewart - An Old Raincoat Won't Ever Let You Down 1969

Over the course of his career, Rod Stewart has had it all. He's been lauded as the finest singer of his generation, he's written several songs that turned into modern standards, he sang with the Faces, who rivaled the Rolling Stones in their prime, he had massive commercial success. Stewart also saw his critical respect slip away during the '80s, when he recorded lightweight pop and although he did record some terrible albums -- and he would admit that freely --Stewart will always be remembered as one of rock & roll's best interpretive singers as well as an accomplished, innovative songwriter, creating a raw combination of folk, rock, blues, and country that sounded like no other folk-rock or country-rock material. Instead of finding the folk in rock, he found how folk rocked like hell on its own. After Stewartbecame successful, he began to lose the rootsier elements of his music, yet he remained a superb singer, even as he abandoned his own artistic path in favor of following pop trends.
Stewart began his musical career after spending some time as an apprentice with the Brentford Football Club, touring Europe with folk singer Wizz Jones in the early '60s; during this time he was deported from Spain for vagrancy. When he returned to England in 1963, he joined the Birmingham-based R&B group Jimmy Powell & the Five Dimensions as a vocalist and harmonica player. The band toured the U.K. and recorded one single for Pye Records that featuredStewart on blues harp.
After moving back to London, he joined Long John Baldry's band, the Hoochie Coochie Men. The group recorded a single in 1964, "Good Morning Little Schoolgirl," that failed to chart, and soon afterward the band evolved intoSteampacket. During the summer of 1965, the group supported the Rolling Stones and the Walker Brothers on a U.K. tour and recorded an album that remained unreleased until 1970. Early in 1966, Steampacket disbanded andStewart became a member of the blues-rock combo Shotgun Express, which released one single that fall before splitting. Stewart then joined the Jeff Beck Group at the end of 1966.
Authoring his memoir inspired Stewart to return to songwriting, a discipline he left behind in the '90s. His next album, Time -- his first for Capitol Records -- was comprised almost entirely of songs he had co-written and they all had a distinctly autobiographical bent. Time was released in May of 2013In 2006, he continued his series of cover albums, but this time he focused on the rock & roll era. Still the Same: Great Rock Classics of Our Timeappeared toward the end of the year, with a version of Creedence Clearwater Revival's "Have You Ever Seen the Rain" as its lead single. Stewart next tackled soul and Motown classics with 2009's Soulbook but returned to standards for 2010's fifth installment of his Great American Songbook series,Fly Me to the Moon. Stewart continued to flirt with the idea of a Faces reunion throughout this period, but even when the group was inducted into the Rock & Roll Hall of Fame in the spring of 2012, he stayed on the sidelines. Instead,Stewart prepped his first album for Verve: the seasonal set Merry Christmas, Baby, which appeared in October of 2012, the same month he published his memoir Rod: The Autobiography.In 2001, Stewart embarked on a new path with Human, an album that attempted to cross over to contemporary and urban audiences, but it failed with the critical and commercial public alike. His next project may have sounded equally unlikely, but it was much more successful. It Had to Be You, the first in his series crooning the Great American Songbook, became an adult contemporary favorite and lodged near the top of the album charts after its release in 2002. As Time Goes By followed it into the charts in 2003 and missed the top spot by only one notch. In late 2004, his third volume in the series (Stardust) hit number one. Thanks for the Memory became the fourth entry in the series in 2005. By the year's end, all four volumes were collected in The Great American Songbook Box Set.Stewart reunited with Ron Wood to record an MTV Unplugged concert in 1993; the accompanying album,Unplugged...and Seated, launched the Top Ten hit single "Have I Told You Lately." Unplugged also returned Stewart to a more acoustic-based sound. On his 1995 album A Spanner in the Works, the singer explored a more polished version of this sound, scoring another hit with Tom Petty's "Leave Virginia Alone." The following year, he released If We Fall in Love Tonight, which was comprised of both previously released and new material. When We Were the New Boys, a return to his roots in trad rock, followed in 1998.With 1981's Tonight I'm Yours, Stewart began adding elements of new wave and synth pop to his formula, resulting in another platinum album. Soon afterward, his career hit a slump. His next four albums sounded forced and he only scored three Top Ten hits between 1982 and 1988; out of those four albums, only 1983's Camouflage went gold. Stewart rebounded with 1988'sOut of Order, recorded with Duran Duran's Andy Taylor and Chic's Bernard Edwards. His version of Tom Waits' "Downtown Train," taken from the 1989 four-disc box set Storyteller, became his biggest hit since "Da Ya Think I'm Sexy?" Vagabond Heart (1991) reflected a more mature and reflective Rod Stewart and continued his comeback streak.Recorded in Los Angeles with a group of studio musicians, 1976's A Night on the Town continued Stewart's move to slicker pop territory and proved quite successful, becoming his first platinum album; it featured the hit single "Tonight's the Night," which was number one in the U.S. for eight weeks. Foot Loose & Fancy Free, released the following year, followed the same artistic pattern as A Night on the Town while surpassing its commercial performance, selling over three million copies. Stewart incorporated some disco to his musical formula for 1978's Blondes Have More Fun. Supported by the number one single "Da Ya Think I'm Sexy?," the record becameStewart's first number one album since Every Picture Tells a Story, selling over four million records. By this time, Stewart was notorious for his jet-set lifestyle, particularly the series of actresses and models he dated.Stewart released Smiler in the fall of 1975. Smiler followed the same formula as his previous four albums -- and it also became a hit -- yet it showed signs that the formula was wearing thin. In March of 1975, he began a love affair with Swedish actress Britt Ekland; the romance, along with a bitter fight with U.K. tax collectors, prompted him to apply for U.S. citizenship.Atlantic Crossing, released in the summer of 1975, made the singer's relocation explicit. Recorded with producer Tom Dowd and the Muscle Shoals rhythm section, the album removed much of the singer's folk roots and accentuated his pop appeal. At the end of the year, Stewart left the Faces and the band finally called it quits.The following year, the Faces began a lengthy spring tour. During the tour, tensions grew within the band as Stewart's solo career increased in popularity. That summer, Stewart released his fourth solo album, Never a Dull Moment, which nearly replicated the success of Every Picture Tells a Story, peaking at number two in the U.S. and number one in the U.K. In the spring of 1973, the Faces released their final album, Ooh La La. Stewartexpressed his disdain for the record in the press, yet it hit number one in the U.K. and number 21 in the U.S. After releasing the "Pool Hall Richard" single in the beginning of 1974, the band went on tour; it would prove to be their last.The following year proved to be pivotal in Stewart's career. At the beginning of 1971, the Facesreleased their second album, Long Player, which became a bigger hit thanFirst Step, yet his third solo album, Every Picture Tells a Story, made Rod Stewart a household name, reaching number one in both America and Britain. "Reason to Believe" was the first single from the album, becoming a minor hit in both countries, but when DJs began playing the B-side, "Maggie May," it became a number one hit in both the U.K. and U.S. for five weeks in September. The Faces released their third album, A Nod Is as Good as a Wink...to a Blind Horse, a couple of months later. Thanks to the success ofEvery Picture Tells a Story, the album was a Top Ten hit in both countries; it also launched the single "Stay with Me," which became the band's only Top 40 hit in the U.S.The Faces released First Step in the spring of 1970. The album was a departure both from the R&B/pop direction of the Small Faces and the heavy blues of the Jeff Beck Group; instead, the group became a boisterous, boozy, and sloppy Stones-inspired rock & roll band. The album fared better in the U.K. than it did in the U.S., yet the group built a devoted following on both continents with their reckless, messy live shows. Stewart released his second solo album, Gasoline Alley, in the fall of 1970, supporting it with an American tour.After rejecting an offer to join the American rock group Cactus,Stewart and Jeff Beck Group bassist Ron Wood joined the Small Faces, replacing the departed vocalist/guitarist Steve Marriott. With Wood switching over to guitar, the group shortened its name to the Faces and recorded its debut album, First Step. During this time, Stewart had also signed a solo contract, releasing his first album, An Old Raincoat Won't Ever Let You Down (retitled The Rod Stewart Album for its American release), at the end of 1969; the record failed to chart in the U.K., yet it made it to number 139 on the U.S. charts. On the album, Stewart's folk roots meshed with his R&B and rock influences, creating a distinctive, stripped-down acoustic-based rock & roll that signaled he was a creative force in his own right.With the Jeff Beck Group, Stewart began his climb to stardom. He and the former Yardbird guitarist pioneered the heavy blues-rock team of a virtuoso guitarist and a dynamic, sexy lead vocalist that became the standard blueprint for heavy metal. Truth, the band's debut album, was released in the fall of 1968, and became a hit in both America and Britain. The Jeff Beck Group toured both countries several times in 1968 and 1969, gaining a dedicated following. In the summer of 1969, they released their second album, Beck-Ola, which became another hit record in both the U.S. and U.K. However, the group fell apart in the fall. AMG.


.listen here

Buy @ Amazon: USA - FR - UK

sexta-feira, 25 de outubro de 2013

Rod Stewart - Gasoline Alley 1970

Gasoline Alley follows the same formula of Rod Stewart's first album, intercutting contemporary covers with slightly older rock & roll and folk classics and originals written in the same vein. The difference is in execution. Stewartsounds more confident, claiming Elton John's "Country Comfort," the Small Faces' "My Way of Giving," and the Rolling Stones' version of "It's All Over Now" with a ragged, laddish charm. Like its predecessor, nearly all of Gasoline Alley is played on acoustic instruments -- Stewart treats rock & roll songs like folk songs, reinterpreting them in individual, unpredictable ways. For instance, "It's All Over Now" becomes a shambling, loose-limbed ramble instead of a tight R&B/blues groove, and "Cut Across Shorty" is based around a howling, Mideastern violin instead of a rockabilly riff. Of course, being a rocker at heart, Stewart doesn't let these songs become limp acoustic numbers -- these rock harder than any fuzz-guitar workout. The drums crash and bang, the acoustic guitars are pounded with a vengeance -- it's a wild, careening sound that is positively joyous with its abandon. And on the slow songs, Stewart is nuanced and affecting -- his interpretation of Bob Dylan's "Only a Hobo" is one of the finest Dylan covers, while the original title track is a vivid, loving tribute to his adolescence. And that spirit is carried throughout Gasoline Alley. It's an album that celebrates tradition while moving it into the present and never once does it disown the past. AMG.

listen here

Buy @ Amazon: USA - FR - UK