Nils Lofgren - Cry Tough 1976

After releasing a solo debut that made a great case for his talent but didn't deliver the rock & roll goods as expected, Nils Lofgren turned up the guitar heroics on his 1976 album Cry Tough and the results were a lot closer to what fans had hoped for from the whiz kid from Grin. However, Cry Tough also unwittingly revealed the Achilles' Heel that would haunt Lofgren's solo career for the next three decades -- there's no denying that the guy is a great guitar player, but his gifts as a guitarist and songwriter have been maddeningly inconsistent, and while 1975's self-titled solo debut was one of his high-water marks as a tunesmith, he gave himself more room to strut his stuff on guitar here without bringing many memorable tunes to the table ("Jailbait" and the title cut are particularly faulty). It's significant that two of the sharpest and most effective tracks on Cry Tough, "Incidentally … It's Over" and "Can't Get Closer (WCGC)," feature the same rhythm section that backed Lofgren on his debut; produced by David Briggs, they sound straightforward, compelling, and emotionally direct, while most of the rest of the album (produced by Al Kooper) features a larger band, a glossier approach, and somehow allows Lofgren to effectively sound lost on his own album. Lofgren certainly plays up a storm on Cry Tough, and his soloing on "You Lit a Fire" and "It's Not a Crime" is inspired, but that's not enough to keep this record afloat. Cry Tough is at its best when it is also at its simplest; if the whole album had been as good as "Incidentally … It's Over" and "Can't Get Closer (WCGC)," it would have been a winner, but instead it was the first in a long line of disappointments from a gifted but problematic talent. AMG.

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Nils Lofgren - Nils Lofgren 1975

When Nils Lofgren released his first solo album in 1975, most fans were expecting a set confirming his guitar hero status, and more than a few listeners were vocally disappointed with the more laid-back and song-oriented disc Lofgren delivered. However, with the passage of time Nils Lofgren has come to be regarded as an overlooked classic, and with good reason -- Lofgren has rarely been in better form on record as a songwriter, vocalist, musician, and bandleader. While Lofgren doesn't lay down a firestorm of guitar on each selection (with his piano unexpectedly high in the mix), when he does solo he makes it count, and the rough but tasty chordings and bluesy accents that fill out the frameworks of the songs give the performances plenty of sinew. Just as importantly, this is as good a set of songs as Lofgren has assembled on one disc, consistently passionate and forceful, from the cocky "If I Say It, It's So" and "The Sun Hasn't Set on This Boy Yet" to the lovelorn "I Don't Want to Know" and "Back It Up," while "Keith Don't Go (Ode to the Glimmer Twins)" comes from the heart of a true fan and "Rock and Roll Crook" suggests Lofgren had already learned plenty about the music business by this time. The production on Nils Lofgren is simple but simpatico, giving all the players plenty of room to shine, and Lofgren's rhythm section (Wornell Jones on bass and Aynsley Dunbar on drums) fits the album's funky but heartfelt vibe perfectly. Lofgren has made harder rocking and flashier albums since his debut, but he rarely hit the pocket with the same élan as he did on Nils Lofgren, and it remains the most satisfying studio album of his career. AMG.

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