Mostrar mensagens com a etiqueta Mel & Tim. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta Mel & Tim. Mostrar todas as mensagens

sexta-feira, 30 de dezembro de 2016

Mel & Tim - Mel & Tim 1973

Although it wasn't released long after Mel & Tim's big 1972 hit "Starting All Over Again," the duo's self-titled album (their second for Stax) wasn't a commercial success. It has a little more personality than the average LP issued by Stax in its final years, but not that much more. Largely comprised of material from Prince Philip Mitchell (who wrote "Starting All Over Again"), and co-produced by Barry Beckett and Roger Hawkins (who also played on the record) of Muscle Shoals Sound, it's fairly smooth early-'70s duo-sung soul. The stirring, socially wary "Same Folk," which seems a bit influenced by the kind of thing Bill Withers was doing around the same time, is a highlight, despite its similarity to "Starting All Over Again." The opener, "Keep the Faith" (written by Mark James, most famous for composing Elvis Presley's "Suspicious Minds"), is also among the stronger tracks due to its inspirational tone and intricate layered arrangement. Much of the rest of the album is standard '70s romantic soul, with a gentler, more subdued feel than the typical Stax production. Mild funk permeates "Making Love Is My Thing," which cuts to the chase much more quickly than the infinite number of similar soul songs, declaring "partying, well, it's all right, but I don't like to party all night" before the instruments swell and the woman backup singers announce, "making love is my thing." AMG.

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segunda-feira, 15 de dezembro de 2014

Mel & Tim - Starting All Over Again 1972

Mel & Tim were a classic Chicago soul vocal duo, recording in Muscle Shoals in the deep South for Stax and making records that fit comfortably next to those made in Philadelphia. It may sound incongruous, but their 1972 album, Starting All Over Again -- released on CD with four bonus tracks -- is a wonderful record that blends the sweet production of Philly with tight southern rhythms and Windy City harmony. And that's not even mentioning an impeccable set of songs; many written or co-written by Phillip Mitchell, along with sharp covers of soul classics like "Wrap It Up" and "I'm Your Puppet." The title track is a stone masterpiece -- an epic tale of a couple trying to repair their love -- but the rest of the album isn't far behind. In fact, it ranks as one of the finest soul albums of the early '70s. AMG.

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