Mostrar mensagens com a etiqueta Marlena Shaw. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta Marlena Shaw. Mostrar todas as mensagens
quinta-feira, 5 de março de 2026
Marlena Shaw - The Spice of Life 1969
Marlena Shaw's penchant for stylistic variety is certainly evident on this, her sophomore release. Cut for the Cadet label in 1969, Spice of Life ranges from soul and proto-funk to jazz and MOR-hued material. Shaw shines throughout, showing her power on politically charged, Aretha-styled cuts like "Woman of the Ghetto" and "Liberation Conversation," while also delivering supple interpretations of such traditional jazz fare as "Go Away Little Boy" (shades of Nancy Wilson). And with a gutsy take on "Stormy Monday," it's clear Shaw doesn't shrink from the blues either. Across this sound spectrum, arrangers Richard Evans and Charles Stepney envelope Shaw in unobtrusive yet exciting pop-soul environs, throwing kalimba runs (a few years before Earth, Wind & Fire picked up on the instrument), psych guitar accents, and bongo-fueled organ riffs into the mix. Their widescreen touch is particularly well essayed on strings-and-brass standouts like the Bacharach-inspired Barry Mann & Cynthia Weil composition "Looking Through the Eyes of Love" and Ashford & Simpson's "California Soul" (a classic reading heavily favored by the crate-digging set). A perfect way to get familiar with Shaw's impressive early work. AMG.
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quinta-feira, 2 de agosto de 2012
Marlena Shaw - Who Is this Bitch, Anyway 1975
A record as fierce and blunt as its title portends, Who Is This Bitch, Anyway? vaults Marlena Shaw into a brave new world of feminism and funk, updating the sophisticated soul-jazz approach of her previous records to explore a fast-changing musical, political, and sexual landscape. Opening with "You, Me and Ethel," a hilarious satire of the singles bar culture, the album dissects modern romance with uncommon insight and candor, addressing lust ("Feel Like Makin' Love") and loss ("You Been Away Too Long") without pulling any punches. The music is similarly direct and progressive, running the gamut from luminous soul to scorching funk grooves. Not only Shaw's best-selling Blue Note release, Who Is This Bitch, Anyway? represents her creative apex as well. AMG.
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