Mostrar mensagens com a etiqueta Manfred Mann's Earth Band. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta Manfred Mann's Earth Band. Mostrar todas as mensagens

quinta-feira, 18 de agosto de 2022

Manfred Mann's Earth Band - Nightingales & Bombers 1975

The album that was Manfred Mann's commercial breakthrough was a departure from the previous albums made with the Earth Band. Though the personnel are the same and the musicianship is as mind-blowing as ever, the songs are shorter and punchier, in some cases more poppy. This is not to say that the band had sacrificed a bit of ingenuity or complexity, but the long jams are gone in favor of briefer sound portraits. Nightingales and Bombers included Manfred Mann's first cover of a Bruce Springsteen song, the album-opening "Spirits in the Night," a single that charted and became one of the only pieces written in 10/4 time ever to do so. It would prove to be an important move in their recording career, as 1976's Roaring Silence earned them a big hit with Springsteen's "Blinded by the Light." Another foreshadowing of that tune can be detected in the track "Fat Nelly," which includes a synthesizer part almost identical to the intro of the aforementioned hit. Also featured in Nightingales and Bombers are such synth-driven rockers as "Crossfade," "Countdown," and the title track, in which Manfred Mann appear to be trying to capture the prog rock crown. Nightingales and Bombers featured in almost every "Best of the Year" list for 1975. Justifiably so -- though attention at the time was naturally on the hits, the rest of the album features a mix of good originals and eccentric covers, inspired playing, and tight, focused arrangements. The album stands up to repeated listening decades after it was created, and though fans of the more expansive progressive phase may prefer earlier works, they will generally allow the excellence of this one. (The name of the album was once regarded as a possible drug reference, but it is actually taken from a nature recording made during World War II. An ornithologist who was trying to record birdcalls captured not only the sound of birds but also of incoming enemy aircraft. That recording is used in the track "As Above, So Below," and gives it an eerie character.) AMG.

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quinta-feira, 26 de setembro de 2019

Manfred Mann's Earth Band - The Roaring Silence 1976

been because of both Bruce Springsteen-penned singles, but its instrumental makeup, by way of Mann's keyboard manipulation coupled with Chris Thompson's chiseled singing, had just as much of an effect. "Blinded By the Light" and "Spirit in the Night" gave the band hits at both ends of the Top 40 spectrum, with "Blinded" going to number one while the mysteriously-sounding "Spirit in the Night" edged in at number 40 six months later. Outside of the singles, The Roaring Silence is made up of clean-cut, well-established synthesizer and guitar work, with touches of techno psychedelia that are sometimes lengthy but never messy. Tracks such as "Questions," "This Side of Paradise," and even "Starbird" uncover the band's creativity and instrumental wit. Mann is careful not to stray too far with his keys, and his compliance with Thompson's vocals are noticeable in almost every track. Aside from the music, The Roaring Silence basks in veiled poetry, cryptic but at the same time intriguing, verging on the complexities of progressive rock but far from its pretentiousness. Eventually achieving gold status, The Roaring Silence both commercially and artistically became the group's finest effort. AMG.

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sexta-feira, 31 de julho de 2015

Manfred Mann's Earth Band - The Roaring Silence 1976

The reason that The Roaring Silence became Manfred Mann's Earth Band's best-selling album may have been because of both Bruce Springsteen-penned singles, but its instrumental makeup, by way of Mann's keyboard manipulation coupled with Chris Thompson's chiseled singing, had just as much of an affect. "Blinded By the Light" and "Spirit in the Night" gave the band hits at both ends of the Top 40 spectrum, with "Blinded" going to number one while the mysteriously-sounding "Spirit in the Night" edged in at number 40 six months later. Outside of the singles, The Roaring Silence is made up of clean-cut, well-established synthesizer and guitar work, with touches of techno psychedelia that are sometimes lengthy but never messy. Tracks such as "Questions," "This Side of Paradise," and even "Starbird" uncover the band's creativity and instrumental wit. Mann is careful not to stray too far with his keys, and his compliance with Thompson's vocals are noticeable in almost every track. Aside from the music, The Roaring Silence basks in veiled poetry, cryptic but at the same time intriguing, verging on the complexities of progressive rock but far from its pretentiousness. Eventually achieving gold status, The Roaring Silence both commercially and artistically became the group's finest effort. AMG.

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quarta-feira, 2 de janeiro de 2013

Manfred Mann's Earth Band - Manfred Mann's Earth Band 1972


Most folks know Manfred Mann from his '60s hits, but too few have ever heard the brilliant Manfred Mann's Earth Band album. Exploring arty and progressive directions, the Earth Band was a wholly different group from Mann's earlier lineup. Unlike the heavier art rock groups that would follow (Emerson, Lake & Palmer, Yes), the Earth Band never became burdened by its own seriousness.
Manfred Mann's Earth Band combines hypnotic instrumentals ("Tribute"), exhilarating original songs ("Captain Bobby Stout"), and three definitive covers all laden with hooks worthy of "Do Wah Diddy Diddy." Mann mines Dylan's basement tapes again for "Please Mrs. Henry" (see "Quinn the Eskimo" and "Get Your Rocks Off" on other releases). An obscure Dr. John song, "Jump Sturdy" nearly jumps off the record. The synthesizer solo "Sloth" segues into the album's centerpiece, "Living Without You." With its thumping bassline and "So hard" chorus, this might be the best version of a Randy Newman song ever recorded. Closing the album, the Mann himself takes vocal turns on "Part Time Man" and "Up & Leaving," quiet acoustic tales that contrast with the complex instrumentals of the rest of the record. On whole, Manfred Mann's Earth Band is a completely satisfying album and one of the most underrated of the '70s. AMG.

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