Climax Blues Band - Tightly Knit 1971

By the time of 1971's Tightly Knit, the group had settled into a very comfortable groove and suddenly didn't seem to be trying so hard, instead letting the music speak for itself. This newfound confidence was also mirrored in the fact that eight of the ten tunes aboard were group-penned originals. While they showed some versatility on tunes like "Little Link" and "Shoot Her If She Runs" (both exhibiting a strong country rock flavor), they still managed to sound like no one else but the Climax Blues Band on such familiar warhorses as "Spoonful" and Robert Johnson's "Come on in My Kitchen." Peter Haycock's lead guitar reached scorching levels on the almost-ten-minute-long "St. Michael's Blues"; "Who Killed McSwiggin" explored the Bo Diddley beat for all its worth, and the closing "That's All" took the pan-flute New Orleans groove into folk-singalong territory, making a top-notch finish for the group's most varied outing. AMG.

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Climax Blues Band - A Lot Of Bottle 1970

This album starts out promisingly (and interestingly, and misleadingly) with a cool acoustic number, "Country Hat," before the amplification gets cranked up and a lot of subtlety goes out the window. Still, this is generally an exciting album, if not always an interesting one. The band plays hard enough on grinding, crunchy shouters like "Reap What I've Sowed" (which features a wondering, soaring solo by Peter Haycock, and a spellbinding performance by Derek Holt on bass), which also parallels Mountain's contemporary release "Mississippi Queen"; and they bring back in that oft-overlooked instrument, the saxophone (played by Colin Cooper), on "Brief Case." Much of the rest is on the bland side, " "Alright Blue?" being a tedious workout for the harmonica as lead instrument. A couple of Willie Dixon and Muddy Waters covers are more engaging than most of the originals that follow, until the pleasantly loose-limbed closer, "Cut You Loose." AMG. 

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Climax Blues Band - Rich Man 1972

Rich Man was originally released by Sire in 1972, four years before the Climax Blues Band broke through to the mainstream via their only radio hit, "Couldn't Get It Right." While this isn't the most memorable record in their discography, it is worth checking out for fans, as a lighter, pop-oriented approach is mixed with the hard blues-rock the band was known for at the time, especially on the Bo Diddley-like "Shake Your Love" and the Son House standard "Don't You Mind People Grinning in Your Face." AMG.

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