The Chico Hamilton Quintet - Gongs East! 1958

The best-known of all the 1950s Chico Hamilton Quintet sets, this is also the only early Hamilton music that has been fully reissued on CD. At the time, the drummer's group also included cellist Nate Gershman, guitarist Dennis Budimir, bassist Wyatt Ruther and the young Eric Dolphy on alto, bass clarinet and flute. Dolphy has quite a few short solos on this rewarding music, and the highlights of the date include "Beyond the Blue Horizon," "Passion Flower," Gerald Wilson's "Tuesday at Two" and the exotic "Gongs East." Recommended. AMG.
 

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Chico Hamilton - The Master 1973

Chico Hamilton, a subtle and creative drummer, will probably always be remembered for the series of quintets that he led during 1955-1965 and for his ability as a talent scout than for his fine drumming.Hamilton first played drums while in high school with the many fine young players (including Dexter Gordon, Illinois Jacquet, and Charles Mingus) who were in Los Angeles at the time. He made his recording debut with Slim Gaillard, was house drummer at Billy Berg's, toured with Lionel Hampton, and served in the military (1942-1946). In 1946, Hamilton worked briefly with Jimmy Mundy, Count Basie, and Lester Young (recording with Young). He toured as Lena Horne's drummer (on and off during 1948-1955), and gained recognition for his work with the original Gerry Mulligan piano-less quartet (1952-1953).
In 1955, Hamilton put together his first quintet, a chamber jazz group with the reeds of Buddy Collette, guitarist Jim Hall, bassist Carson Smith, and cellist Fred Katz. One of the last important West Coast jazz bands, the Chico Hamilton Quintet was immediately popular and appeared in a memorable sequence in 1958's Jazz on a Summer's Day and the Hollywood film The Sweet Smell of Success. The personnel changed over the next few years (with Paul Horn and Eric Dolphy heard on reeds, cellistNate Gershman, guitarists John Pisano and Dennis Budimir, and several bassists passing through the group) but it retained its unusual sound. By 1961, Charles Lloyd was on tenor and flute, Gabor Szabo was the new guitarist, and soon the cello was dropped in favor of trombone (Garnett Brown and later George Bohanon), giving the group an advanced hard bop style.In 1966, Chico Hamilton started composing for commercials and the studios and he broke up his quintet. However, he continued leading various groups, playing music that ranged from the avant-garde to erratic fusion and advanced hard bop. Such up-and-coming musicians as Larry Coryell(1966), Steve Potts (1967), Arthur Blythe, Steve Turre (on bass, surprisingly), and Eric Person (who played inHamilton's '90s group Euphoria) were among the younger players he helped discover. In 1989, Chico Hamilton had a recorded reunion with the original members of his 1955 quintet (with Pisano in Hall's place), and in the 1990s he made a number of records for Soul Note. He continued playing gigs and recording throughout the 2000s, releasing four albums in 2006 for the label Joyous Shout! in celebration of his 85th birthday.Chico Hamilton died in Manhattan on November 25, 2013; he was 92 years old. His last album, The Inquiring Mind, recorded shortly before his passing, was released in early 2014. AMG.

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Chico Hamilton - Peregrinations 1975

This unusual LP, the first of three featuring altoist Arthur Blythe with drummer Chico Hamilton's mid-'70s group, has an uncomfortable mixture of advanced jazz and commercial elements. Hamilton is joined by a large rhythm section that includes Steve Turre (on electric bass) and guitarists Barry Finnerty and Joe Beck, along with Blythe, Arnie Lawrence on soprano, the keyboards of Jerry Peters, and several vocalists. The overall effect is a bit weird, dated but with some colorful moments. Definitely a mixed bag. AMG.

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Chico Hamilton - The Dealer 1966

Drummer Chico Hamilton introduced many top young players during his years as a bandleader, but few probably realize that Larry Coryell made his recording debut with Chico a year before joining Gary Burton's quartet. This CD reissue brings back Coryell's initial appearance on record, and at times he sounded oddly like Chuck Berry (especially on "The Dealer"). Also heard on this set are altoist Arnie Lawrence, bassist Richard Davis, organist Ernie Hayes (on two numbers), and, on his spirited boogaloo "For Mods Only," Archie Shepp making a rare appearance on piano. Most of the performances still sound surprisingly fresh, especially the explorative "A Trip," making this an underrated but worthy release. [The 1999 CD reissue contains four bonus tracks, plus 20-bit remastering.] AMG.

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