Mostrar mensagens com a etiqueta Billy Cobham. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta Billy Cobham. Mostrar todas as mensagens
domingo, 19 de outubro de 2025
Billy Cobham, Alphonso Johnson, Steve Khan, Tom Scott - Alivemutherforya 1978
Drummer Billy Cobham is heard on this live set heading an all-star quintet also including Tom Scott on tenor, soprano and lyricon, keyboardist Mark Soskin, guitarist Steve Khan and electric bassist Alphonso Johnson. Although the music is mostly funky and uses plenty of electronics (Scott sounds quite faceless on lyricon), there are some strong solos, particularly from Khan and Scott (when he is on tenor). The six group originals are highlighted by "Bahama Mama," "Some Punk Funk" and "On a Magic Carpet Ride." Due to the amount of variety and spontaneity, Alivemutherforya is superior to most of these musicians' individual projects of the era. AMG.
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sábado, 24 de junho de 2017
Billy Cobham - Spectrum 1973
Drummer Billy Cobham was fresh from his success with the Mahavishnu Orchestra when he recorded his debut album, which is still his best. Most of the selections showcase Cobham in a quartet with keyboardist Jan Hammer, guitarist Tommy Bolin, and electric bassist Lee Sklar. Two other numbers include Joe Farrell on flute and soprano and trumpeter Jimmy Owens with guitarist John Tropea, Hammer, bassist Ron Carter, and Ray Barretto on congas. The generally high-quality compositions (which include "Red Baron") make this fusion set a standout, a strong mixture of rock-ish rhythms and jazz improvising. AMG.
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segunda-feira, 21 de julho de 2014
Billy Cobham - Inner Conflicts 1977
A solid effort that has been dismissed based upon its associations with two Cobham lemons,Simplicity of Expression: Depth of Thought and B.C., all recorded around the same time. This recording finds Cobham continuing to explore the funk genre; however, the overall mood here is quite darker and more introspective, similar to Crosswinds. "Inner Conflicts" is a haunting song that includes Cobham's experimentation with electronic percussion and synthesizer. "Nickles and Dimes" is a page out of Cobham's early work, while "El Barrio" is heavily influenced by African rhythms. Of note,Prince's former sidekick Sheila E. performs here with her father Pete. The closer, "Arroyo," is another of Cobham's memorable compositions that he continues to perform. AMG.
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