Toshiko Akiyoshi co-led (with her husband
Lew Tabackin) one of the most exciting post-bop bands for several decades until finally disbanding it early in the 21st century. These 1976 studio sessions make up one of her best overall albums, which includes performances of four originals. "Studio J" actually dates from 1957, while the pianist was studying at Berklee, and was originally recorded in a trio setting.
Akiyoshi stretches out for several choruses, and
Bill Reichenbach contributes a pair of solid trombone solos. "Transience" is a richly textured ballad that showcases baritone saxophonist
Bill Perkins, trombonist
Britt Woodman (a
Duke Ellington alum), and
Gary Foster on soprano sax. "Sumie" features
Tabackin's mesmerizing flute (an instrument for which he should receive wider acclaim); he also uses a piccolo later in the piece. "Minamata" is an elaborate three-part suite that features a 13-year-old vocalist (
Michiru Mariano), a fine flügelhorn solo by
Bobby Shew, and narration by several Japanese artists, resulting in a stunning tone poem. Sadly, this rewarding RCA LP has not been reissued in the United States, though it was put out by BMG in Europe in 2002. AMG.
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