Tom Jones - Tom Jones Sings She's A Lady 1971

She's a Lady may have an uneven selection of songs, but the title track was Tom Jones' biggest hit and its double-sided follow-up "Puppet Man" / "Resurrection Shuffle" was nearly as good as its predecessor. Plus, Jones' robust performances keeps things moving throughout the course of the album. AMG.

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Tom Jones - Live at Caesar's Palace 1971

For many acts, the casino circuit is the kiss of death creatively, but in the case of Tom Jones the exact opposite is true -- amidst the neon lights, craps tables, and slot machines, he's at the top of his game, feeding on the energy and excitement to command the stage with a power and eroticism that are virtually unmatched. Recorded in Las Vegas in the spring of 1971, Live at Caesar's Palace -- his tenth and final gold record -- captures Jones at his bawdy best, offering a compelling mix of hits and covers while still managing to make time with the ladies between songs; riding high on the recent success of "She's a Lady," he also samples smashes like "It's Not Unusual" and "Delilah" in addition to a vast range of material spanning from "Soul Man" to "Bridge Over Troubled Water" to "My Way." The between-song stage patter is priceless as well -- for fans, this is an essential set. AMG.

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Tom Jones - Green Green Grass Of Home 1967

With Green, Green Grass of Home, Tom Jones began to abandon his teenage pop audience to concentrate on a more mature, middle of the road group of listeners. Although he did include uptempo R&B numbers like "Kansas City," and the album's strongest moments occurred when he concentrated on standards and country tunes like the title track, "My Mother's Eyes," and "That Old Black Magic," or when he turned in laidback soul songs like "Any Day Now." The album was still inconsistent, as Jones over-sang several of the tracks, but it was easily the best album he had recorded to date. AMG.

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