Poco - Pickin' Up The Pieces 1969

Poco dealt with a lot during the recording of their debut album -- the sudden departure of bassist Randy Meisner, the frustration of working with an engineer who didn't quite get what they were trying for, and a lot of pressure to deliver a solid collection of country-rock songs -- and came up with this startlingly great record, as accomplished as any of Buffalo Springfield's releases, and also reminiscent of the Beatles and the Byrds. Pickin' Up the Pieces is all the more amazing when one considers that Jim Messina and George Grantham were both covering for the departed Meisner in hastily learned capacities on bass and vocals, respectively. The title track is practically an anthem for the virtues of country rock, with the kind of sweet harmonizing and tight interplay between the guitars that the Byrds, the Burritos, and others had to work awhile to achieve. The mix of good-time songs ("Consequently So Long," "Calico Lady"), fast-paced instrumentals ("Grand Junction"), and overall rosy feelings makes this a great introduction to the band, as well as a landmark in country-rock only slightly less important (but arguably more enjoyable than) Sweetheart of the Rodeo. AMG.

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Poco - From The Inside 1971

From the Inside is Poco's most unusual record, and one the band -- especially founder Richie Furay, whose songs were sort of pushed into the background -- finally didn't like all that much. But it was a very good one anyway, produced in Memphis by guitar legend Steve Cropper and featuring the group generating a leaner, more stripped-down, somewhat bluesier sound. The harmonies are less radiant and the guitars more subdued, and the spirits also a little more low-key than usual. But the sound they get is still appealing, the singing more reflective and a little bit closer to R&B than to the post-Byrds country-rock for which they were known -- the songs are pretty, and in listening terms George Grantham's drums and Timothy B. Schmit's bass are nice and upfront in the mix, and the guitars have a really close presence, even if they are turned down. Paul Cotton's "Bad Weather" was the best-reviewed song, but other highlights were "You Are the One," "Hoe Down," "Railroad Days" (maybe their hardest rocker), and "Ol' Forgiver." AMG.

listen here

Poco - From The Inside 1971

From the Inside is Poco's most unusual record, and one the band -- especially founder Richie Furay, whose songs were sort of pushed into the background -- finally didn't like all that much. But it was a very good one anyway, produced in Memphis by guitar legend Steve Cropper and featuring the group generating a leaner, more stripped-down, somewhat bluesier sound. The harmonies are less radiant and the guitars more subdued, and the spirits also a little more low-key than usual. But the sound they get is still appealing, the singing more reflective and a little bit closer to R&B than to the post-Byrds country-rock for which they were known -- the songs are pretty, and in listening terms George Grantham's drums and Timothy B. Schmit's bass are nice and upfront in the mix, and the guitars have a really close presence, even if they are turned down. Paul Cotton's "Bad Weather" was the best reviewed song, but other highlights were "You Are the One," "Hoe Down," "Railroad Days" (maybe their hardest rocker), and "Ol' Forgiver." AMG.

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Poco - Deliverin' 1971

Poco had originally made their name as a live act, and they'd always been at their best and most easygoing on-stage. The result is this live album of new and old material, featuring Jim Messina's swan song with the band and some of the tightest playing and best singing in their recorded history. Jewels include "C'mon," "Hear That Music," "Kind Woman," and "You'd Better Think Twice." About as perfect an album as they ever made and, not coincidentally, by far the biggest seller the early group ever had. AMG.

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Poco - Pickin` Up The Pieces 1969

Poco dealt with a lot during the recording of their debut album -- the sudden departure of bassist Randy Meisner, the frustration of working with an engineer who didn't quite get what they were trying for, and a lot of pressure to deliver a solid collection of country-rock songs -- and came up with this startlingly great record, as accomplished as any of Buffalo Springfield's releases, and also reminiscent of the Beatles and the Byrds. Pickin' Up the Pieces is all the more amazing when one considers that Jim Messina and George Grantham were both covering for the departed Meisner in hastily learned capacities on bass and vocals, respectively. The title track is practically an anthem for the virtues of country-rock, with the kind of sweet harmonizing and tight interplay between the guitars that the Byrds, the Burritos, and others had to work awhile to achieve. The mix of good-time songs ("Consequently So Long," "Calico Lady"), fast-paced instrumentals ("Grand Junction"), and overall rosy feelings makes this a great introduction to the band, as well as a landmark in country-rock only slightly less important (but arguably more enjoyable than) Sweetheart of the Rodeo. AMG.

listen here