Leeds-born Jeff Christie (b. 1946) entered music by way of a skiffle band that eventually moved into rock & roll, taking the name the Outer Limits. They eventually cut a pair of singles, before breaking up, and Jeff Christie decided to try a career as a songwriter. His demo tape made its way to Tremeloes' guitarist Alan Blakely, and happened to be heard by his brother, drummer Mike Blakely, formerly of the Epics and the Acid Gallery. Both were impressed enough withChristie's songs to arrange a recording session in London where the Tremeloes participated as Christie's backing band -- none of the sides from that session saw the light of day, but inspired by Blakely's faith in his songs, Jeff Christie decided to put together a group of his own. The latter included Christie on bass and lead vocals, Blakely on drums, and his ex-Epics/Acid Gallery bandmate Vic Elmes on guitar and vocals. The group decided to use Jeff Christie's family name as their own and were signed by British CBS. At the time, they bidded fair to become England's answer to Creedence Clearwater Revival.
Their debut single, "Yellow River," however, was more a showcase for Jeff Christie and Vic Elmes as singers than for the band, as it featured their voices dubbed over the Tremeloes' backing track cut at Christie's first session. Whatever its origins, it did the job, riding the U.K. pop charts for 22 weeks and reaching the number one chart spot in several countries; even in the United States, where it faced the stiffest competition, the Epic Records-released single reached number 23, a very respectable showing for an act that was nowhere near ready to tour the U.S. Their follow-up, a group recording called "San Bernadino," reached number one in Germany and number seven in England, though it never climbed beyond the lowest reaches of the Top 100 in America. The resulting album, however, with "Yellow River" as the title track, reached the middle level of the charts and stayed in the Billboard listings for two and a half months, although it could and should have done a lot better. The LP had at least three additional potential singles on it, all in a similar catchy pop/rock vein, and then-Columbia president Clive Davis was a strong believer in using singles and albums to promote each other, but for some reason the label reached out to a song, "Man of Many Faces," that wasn't on the LP for the third single.
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