After several years off records, pianist Cecil Taylor finally had an opportunity to document his music of the mid-'60s on two Blue Note albums (the other one was Conquistador). Taylor's high-energy atonalism fit in well with the free jazz of the period but he was actually leading the way rather than being part of a movement. In fact, this septet outing with trumpeter Eddie Gale, altoist Jimmy Lyons, Ken McIntyre (alternating between alto, oboe and bass clarinet), both Henry Grimes and Alan Silva on basses, and drummer Andrew Cyrille is quite stunning and very intense. In fact, it could be safely argued that no jazz music of the era approached the ferocity and intensity of Cecil Taylor's. AMG.listen here
Man, had this on cassette 20 years ago....can't wait to hear it again! Thanks Carlos!!!!!!!
ResponderEliminarThe power of this music is limitless. Its energy is disturbing. In Free jazz, Taylor occupies a very special place. Coltrane or Coleman's musics seem easy to understand compared with Taylor's music.
ResponderEliminarWOW! What an experience! Thanks for it Carlos.