Musicology

Lumbee - Overdose 1970

Their sole LP was originally accompanied by a board game that had, as its central objective, the establishment of a worldwide dealership, from which players started out selling marijuana before graduating, eventually, to acid. Unfortunately, that gimmick along with the group's atypical interracial makeup was really the most fascinating attribute of Lumbee's sole album, which was largely a collection of lumbering southern blues-based rock songs with only brief flashes of inventiveness.

Taking its name from a Native American tribe located near Lumberton, NC (their native state), Lumbee began as the wonderfully monikered Plant and See, which released a late-'60s album on the Turtles' record label, White Whale. The makeup of the band was a curious anomaly for the era: leader William French Lowery was of Native American ancestry; his wife and the group's singer Carol Fitzgerald was Scotch-Irish; drummer Forris Fulford was Black; and bassist Ronald Seiger was Hispanic. A single from the album was rising up the charts at the time White Whale folded, ending any chance of the national success it might have had and leaving the band without a record deal and, due to legal ramifications, its band name. With the loss of Seiger and the addition of rhythm guitarist Rick Vannoy and new bass player Bobby Paul, Plant and See regrouped under the name Lumbee in 1970. Soon thereafter they were in the studio cutting Overdose, so named as a tribute to three rock stars (Janis Joplin, Jimi Hendrix, and Jim Morrison) who had recently succumbed to drugs. The album was quite controversial at the time due to its unique doper board game and its cover sleeve, which portrayed children playing said game. A single from the album, "Streets of Gold," rose to the top of various regional charts, and the band played with such well-known acts as the Allman Brothers Band. Shoddy management, however, soon led to disillusionment and eventual dissipation. Lumbee wasn't, as the opening song on Overdose suggests, tone deaf, but their music wasn't particularly tuneful either, meaning there isn't really anything on this straight CD reissue that you can live without. Even hardcore fans of '70s hard rock will find the songwriting largely undistinguished and the recording surprisingly lacking in excitement. The band seems unable to muster up a high level of energy, and as a result, the songs have a tendency to sink into plodding, Southern blues-by-the-numbers rock. Despite the dynamic multicultural makeup of the band, the music doesn't manage any sort of unique angle or edge, which is a genuine disappointment. The album does have its merits. Lumbee erupts into a sizzling but far-too-brief jazzy break toward the end of "People Get Ready," which segues directly into "You Gotta Be Stoned," a lumbering but tripped-out psychedelic jam. The single, "Streets of Gold," has an inviting, back-to-the-country gait, and Carol Fitzgerald Lowery's hard rock hollering on the strong blues "Whole World Is Down on Me" recalls Janis Joplin, although it can also descend into affectation at times. Each of the other songs has some truly nice bits of interplay and stretches where the band hits upon nice grooves that make you wonder how impressively this music might have come off in a ballroom or club setting. But at only about 33 minutes, it still manages to feel like a bit of an overdose, which certainly isn't the highest recommendation possible. AllMusic.

listen here

FR / USA / UK